Milliniuals
ideas-
A piece of several little flat boxes with peek holes on them looking into ads or some sort of collage based media-personal?
"civic-minded" G.I. generation with a strong sense of community both local and global.
"Trophy Kids,"[34] a term that reflects the trend in competitive sports, as well as many other aspects of life, where mere participation is frequently enough for a reward.
"Generation Me".[27] Twenge attributes Millennials with the traits of confidence and tolerance, but also identifies a sense of entitlement and narcissism
artists use their work to critique the aesthetic and impact of the digital age, using screenshots, collage, and an extreme combination of mediums to comment on the way we relate to the Internet.
His work often capitalizes on the inherent strangeness of representing the three-dimensional body in two dimensions, and finds moments of confluence between physical movement and moving pictures. "Spiral Ravel/Unravel"-ronald lenard
"Versions", a video essay in multiple iterations that calls our attention to the circulation of icons across time and media, from the distant past to the present day to religious icons and digital culture-oliver laric
(2012) that move between mundanity, scandal, surrealism, and sincerity to explore the phenomenon of private spaces on public fora.Alexandra Gorczynski
the recent phenomenon in former-Soviet countries of erecting monuments to pop culture icons like Bruce Lee and Johnny Depp rather than historical or political figures. She traveled in the region for her project "19:30" (2010), pursuing a collection of identities for the introduction sequences to news broadcasts.
the way we engage with images in the post-Internet era, when they can be shared, reproduced, altered, and distributed more easily than ever before in human history. His argument is that in the pre-Internet days, it was difficult to effectively reproduce an artwork because the photographic, scanning, display, and printing technologies we have now simply didn't exist yet; now, the opposite is true. To highlight this shift, Vierkant refers to his own work—Technicolor sculptural pieces he makes with photographic means—as "Image Objects," referring to their ephemeral and infinitely reproducible nature.
Internet-wrought phenomenon of collective authorship and the effacement of the distinction between the real and the fake
Net age's constantly-updating, blink-and-you'll-miss-it progressions.
Cory Arcangel might be the best-known artist associated with post-Internet art that physicalizes immaterial digital structures—and he's certainly the only one to have had a solo exhibition at the Whitney at the age of 33. Arcangel is celebrated for his modifications of popular video games, a series of which were on view in that show; he also reuses appropriated gradient patterns from Photoshop, YouTube videos, and other bits of digital pop culture to craft prints, drawings, musical compositions, videos, and performance works.
“Is this… art?” Michael Guidetti ocean on ocean